Vancouver
Feb 11, 2021
Winiemko’s practice is an exploration of the relationship of the personal to the public, of the construction of subjectivity in relation to the cultural framework — those “things we do” whether they be institutionalized to the idiosyncratic, which can be so commonplace that we often forget how they shape our lives, for better or worse.
Vancouver
Feb 10, 2021
Winiemko’s practice is an exploration of the relationship of the personal to the public, of the construction of subjectivity in relation to the cultural framework — those “things we do” whether they be institutionalized to the idiosyncratic, which can be so commonplace that we often forget how they shape our lives, for better or worse.
Vancouver
Feb 9, 2021
Winiemko’s practice is an exploration of the relationship of the personal to the public, of the construction of subjectivity in relation to the cultural framework — those “things we do” whether they be institutionalized to the idiosyncratic, which can be so commonplace that we often forget how they shape our lives, for better or worse.
Vancouver
Feb 8, 2021
Winiemko’s practice is an exploration of the relationship of the personal to the public, of the construction of subjectivity in relation to the cultural framework — those “things we do” whether they be institutionalized to the idiosyncratic, which can be so commonplace that we often forget how they shape our lives, for better or worse. Winiemko fluidly moves between mediums, often taking on the role of performer both to use the figure the artist as a signifier of subjectivity and to perform thos
Vancouver
Feb 6, 2021
Through the juxtaposition of two milieus (which already have some points of overlap), Winiemko frames political protest as a performative spectacle and the assumption of the guise of a costumed hero as political. In this way, Winiemko’s work presages and illuminates the storming of the Washington Capitol by a costumed hoard of would-be “cospatriots.”
Vancouver
Feb 4, 2021
Through the juxtaposition of two milieus (which already have some points of overlap), Winiemko frames political protest as a performative spectacle and the assumption of the guise of a costumed hero as political. In this way, Winiemko’s work presages and illuminates the storming of the Washington Capitol by a costumed hoard of would-be “cospatriots.”
Vancouver
Feb 1, 2021
Learn the basics of violin playing the right way, and see if this could be the start of a treasured hobby, or even more! These small groups of up to four young beginners with a parent or caregiver, led by VSO violinist Cassandra Bequary, give participants a solid foundation in the instrument, while having fun and connecting with others.
